Anne Bracegirdle

Anne Bracegirdle (taxminan 1671-yil - 1748-yil 12-sentyabr) ingliz aktrisasi edi.

Tarjimai hol

Bracegirdle Northamptonshireda Justinian va Martha (tug‘ilganida Furniss) Bracegirdle oilasida tug‘ilgan. U 1671-yil 15-noyabrda Nortgemptonda suvga cho‘kkan, ammo uning qabr toshi 85 yoshida vafot etganini aytadi (taxminan 1663-yilda tug‘ilganligini ko‘rsatadi)^[1]. U, ehtimol, yoshligidan aktyorlar Tomas va Meri Beterton tomonidan tarbiyalangan^[2]^[3] va taxminlarga ko‘ra, u Tomas Beterton katta yulduz bo‘lgan Dyuk kompaniyasi uchun 1688-yilgacha playskilllarda bir necha bor eslatib o‘tilgan "kichik qiz" bo‘lgan. Shu sababli, Garrick klubi tomonidan 1673-yil uning tug‘ilgan sanasi deb xulosa qilingan^[4].Uning ismi birinchi marta 1688-yilda Lord Chemberlenning hisoblarida Birlashgan kompaniya a’zosi sifatida paydo bo‘ladi (o‘sha paytda Dyuk kompaniyasi birlashtirilgan) va keyingi yillarda uning bir nechta rollari saqlanib qolingan qo‘lyozma aktyorlar ro‘yxati orqali ma’lum. U 1689-yilda Aphra Behnning "The Widow Ranter" filmida Semernia rolini o‘ynadi, u tez-tez qaytariladigan rol turi va 1690-yilga kelib Shekspirning Richard III va "Otellodagi" Desdemona kabi rollarni o‘ynadi.U William Kongreve spektakllarida ko‘plab bosh ayol rollarini ijro etgan. Tez orada u kompaniyaning muhim a’zolaridan biriga aylandi va prolog va epiloglarni tez-tez aytgani uchun tomoshabinlarning sevimli aktrisasiga aylandi.

1705-yilda u Nikolas Rouening " Uliss " tragediyasida rol o‘ynadi. 1705-yildan keyin u Anna Oldfildda jiddiy raqobatchini topdi, keyin birinchi marta jamoatchilik foydasiga chiqdi. Tomoshabinlar uning raqibini afzal ko‘rgani ma’lum bo‘lgach, Anne Bresegirdle 1709-yilda Betterton foydasiga faqat bir marta sahnaga chiqdi^[2].

Kibber hisobi

Kolley kibber o‘zining avtobiografiyasida Bracegirdleni 1690-yilda Drury Leynda kompaniyaga birinchi marta qo‘shilganida paydo bo‘lganini tasvirlab berdi:

Uning go‘zallikka da’vosi eng ko‘ngilchan qora sochli qizning da’vosidan ortiq emasdi. Lekin uning yosh va quvnoq qiyofasi shu qadar sog‘lom va quvnoq ediki, sahnada uning yonidan o‘tgan tomoshabinlargina uni istar-istamas ko‘rardilar.Missis Breysgirle uchun "Ta’m" yoki "Tendre"ga ega bo‘lish geylar va yoshlar orasida urfga aylangan edi... U o‘ynagan asosiy rollarning hammasida "Xohish-istak" shu qadar ustun turardiki, hech bir hakam uning yana qanday go‘zallik bilan maftun bo‘layotganini o‘ylab ko‘rishga jur’at etolmasdi.

Kibber gangib qoldi. U o‘zining eng yuqori aktyorlik ambitsiyasini (hech qachon amalga oshmagan) kompaniyaning yangi va ko‘zga ko‘rinmas xodimi sifatida "Bresegirdle xonim bilan oshiq rolini o‘ynash" deb ta’riflaydi.1692-yilda kapitan Richard Xill va aktyor Uilyam Mauntfort tomonidan his qilingan "tendre" mashhur fojiani keltirib chiqardi. Rashkchi Xill va mash’um Lord Mohun boshchiligidagi bir to‘da qat’iyatli odamlar Annani o‘g‘irlab ketmoqchi bo‘lishdi va ko‘chada uning taxminiy sevgilisi Mountfortni o‘ldirishdi. Xill adolatdan qochib qutuldi, ammo Mohun sudlandi va oqlandi. Ikkalasi ham bir necha yil o‘tgach, shafqatsiz o‘lim bilan vafot etdi. Aytishlaricha, reklama uning karerasiga yordam bergan va u hali ham 1702-yilda "mashhur bokira" deb atalgan^[4].

Bresegirdle Vestminster abbatligiga dafn etilishini so‘radi va bu istak amalga oshdi^[4].

Tanlangan rollari

Uilyam Mauntfortning "Jarohatlangan sevishganlar" filmida Antelina (1688)

Aphra Behnning "Ranter beva ayol" filmida Semernia (1689)
Jorj Pauell (1690) tomonidan Alphonsodagi Urania, Neapol qiroli
Tomas Shedvellning "Muvaffaqiyatli begonalar" filmidagi Biancha (1690)
Elkanah Settlening "Qayg‘uli aybsizlikda" Kleomir rolida
Uilyam Mauntfort (1690) tomonidan Edvard III filmidagi Mariya
Jozef Xarrisning "Xatolar" filmidagi Miranda (1690)
Tomas Sauternning "Ser Entoni sevgisi" filmidagi Sharlotta (1690)
Juliya Jon Krouning "Ingliz frieri" (1690) filmida
Jorj Pauellning "Xiyonatkor birodarlar" filmida Marseliya (1690)
Jon Dryden tomonidan "Qirol Artur" filmidagi Emmeline (1691)
Tomas Durfeyning "Bussy Damboisdagi Tamira" (1691)
Tomas Sauternning "Xotinlar bahonasi" filmidagi Missis Sightli (1691)
Tomas Durfey tomonidan "Pulga oshiq Mirtilla" (1691)
Kleora Kleomenesning "Spartalik qahramon Jon Dryden" filmida (1692)
Uilyam Maunfort tomonidan "Genrix IIdagi" Rosamund (1692)
Fibi Tomas Durfeyning "Nikohdan nafratlangan" filmida (1692)
Tomas Shadvellning "Ko‘ngillilar" filmida Klara (1692)
Uilyam Kongrevning "Eski bakalavr" filmida Araminta (1693)
Ledi Trikitt Tomas Sautern tomonidan "Qizning so‘nggi namozi" (1693)
Tomas Raytning "Ayol virtuozlari" filmidagi Mariana (1693)
Tomas Durfeyning "Richmond merosxo‘ri" filmida Fulvia (1693)
"Uylangan go‘zal" filmida Kamilla Jon Kroun (1694)
Jon Dryden tomonidan "Muhabbatda g‘alaba qozongan Celidea" (1694)
Klarismunda, Elkana Settlening "Ambitsion qul" filmida (1694)
Villeriya Tomas Sautern tomonidan "O‘limga olib keladigan nikoh" (1694)
Anjelika "Sevgiga oshiq" Uilyam Kongrev (1695)
Anjelika Jorj Granvilning "Gallantlar" filmida (1695)
Jon Benks (dramaturg) tomonidan Buyuk Kirdagi Lausaria (1695)
Jon Vanbrughning "G‘azablangan xotin" filmida Belinda (1696)
Boadiceadagi Kamila, Buyuk Britaniya qirolichasi Charlz Xopkins (1697)
Meri Piksning "Begunoh beka" filmidagi Missis Bokler (1697)
Piter Entoni Motteuxning "Qayg‘udagi, go‘zallikdagi yo‘ldosh" (1698)
Lyusiya Tomas Shadvellning "Alzas skvayri" filmida (1698)
Charlz Xopkins tomonidan takomillashtirilgan "Do‘stlikdagi Lokris" (1699)
Meri Piksning "Soxta do‘st" filmidagi Lovisa (1699)
Nikolas Rouning "O‘gay o‘gay ona" filmidagi Amestris (1700)
Uilyam Kongrevning "Dunyo yo‘lidagi Millamant" (1700)
Charlz Gildonning "Muhabbat qurboni" asari (1701)
Fulvia "Xonimlar Dayby Uilyam Burnabiga tashrif buyurmoqda" (1701)
Meri Piks tomonidan "Qo‘shaloq qayg‘u"dagi Cytheria (1701)
Selima Tamerlanda Nikolas Rou (1701)
Uilyam Burnabining "Xiyonat qilgan sevgi" Sezari (1703)
Anjelika Syuzanna Centlivrning "O‘yinchi" filmida (1705)
Jon Vanbrughning "Konfederatsiya"dagi Flippanta (1705)
Nikolas Rouning "Uliss"dagi Semante (1705)
Lucindain Platonik xonim Syuzanna Centlivre (1706)
Laura "Madriddagi sarguzashtlarda" Meri Piks (1706)

Manbalar

↑ "Anne was baptized, probably as an infant, at St Giles, Northampton, on 15 November 1671 and was about seventy-seven when she died in 1748, rather than eighty-five, as recorded on her tombstone in Westminster Abbey." J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 2010 accessed 1 June 2012
↑ ^2,0 ^2,1 Chisholm 1911, s. 358.
↑ J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 2010 accessed 1 June 2012
↑ ^4,0 ^4,1 ^4,2 „CollectionsOnline | Name“ (en). garrick.ssl.co.uk. Qaraldi: 2018-yil 20-iyul.

Havola

Anne Bracegirdle (1671–1748) at TheatreDatabase.com

[1] "Anne was baptized, probably as an infant, at St Giles, Northampton, on 15 November 1671 and was about seventy-seven when she died in 1748, rather than eighty-five, as recorded on her tombstone in Westminster Abbey." J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 2010 accessed 1 June 2012

[FOOTNOTEChisholm1911358-2] 2,0 ^2,1 Chisholm 1911, s. 358.

[DNB-3] J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 2010 accessed 1 June 2012

[:0-4] 4,0 ^4,1 ^4,2 „CollectionsOnline | Name“ (en). garrick.ssl.co.uk. Qaraldi: 2018-yil 20-iyul.

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