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Ushbu fayl Vikiomborga yuklangan boʻlib, boshqa loyihalarda ham qoʻllanilishi mumkin. Uning tavsif sahifasidan olingan maʼlumot quyida keltirilgan.

Qisqa izoh

Artist
Фотография Ателье Буллы
UnknownUnknown [1]
Taʼrif
English: 0,10 Exhibition: A section of Suprematist works by Kazimir Malevich exhibited for the first time
Sanasi 1915
date QS:P571,+1915-00-00T00:00:00Z/9
Medium photographic negative

Central State Archives of Cinema, Photo and Phono Documents of Saint Petersburg

ЦГАКФФД СПб. Фотодокумент Д 3539 https://spbarchives.ru/infres/-/archive/cgakffd/photo/d3539
Source/Photographer

Original publication: 1915

Immediate source: feed://lfeffortposts.wordpress.com/tag/art/feed/

References

  1. Clark, T.J. (2001) Farewell to an Idea; Episodes from History of Modernism, [New Haven and London]: Yale University Press ISBN: 0-300-08910-4.

Litsenziyalash

Fotografiya
Public domain This work is in the public domain in Russia according to article 1281 of the Civil Code of the Russian Federation, articles 5 and 6 of Law No. 231-FZ of the Russian Federation of December 18, 2006 (the Implementation Act for Book IV of the Civil Code of the Russian Federation).

This usually means that one of the following conditions is fulfilled.

  1. This work was originally published before January 1, 1929 and the known author of this work died:[1]
    • (a) before January 1, 1950 or
    • (b) between January 1, 1950 and January 1, 1954, did not work during the Great Patriotic War and did not participate in it.
  2. This work was originally published anonymously or under a pseudonym before January 1, 1929 and the name of the author did not become known during 50 years after publication, counted from January 1 of the year following the year of publication.
  3. This work is a film (a video fragment or a single shot from it), which was first shown before January 1, 1929.
  4. This work is an information report (including photo report), which was created by an employee of TASS, ROSTA, or KarelfinTAG as part of that person’s official duties between July 10, 1925[2] and January 1, 1929, provided that it was first released in the stated period.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.
[1] If the author of this work was subjected to repression and rehabilitated posthumously, replace the death date by the later rehabilitation date.
[2] ROSTA reports created before July 10, 1925 are subjects of points 1-2 of this template.


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Public domain

The author died in 1935, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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joriy21:33, 2017-yil 8-fevral21:33, 2017-yil 8-fevral dagi versiya uchun tasvir2 000 × 1 452 (894 KB)Carl Hahigher quality
16:02, 2014-yil 25-sentyabr16:02, 2014-yil 25-sentyabr dagi versiya uchun tasvir1 023 × 824 (99 KB)Мечниковhigh quality
20:53, 2012-yil 28-sentyabr20:53, 2012-yil 28-sentyabr dagi versiya uchun tasvir736 × 540 (230 KB)DebrayR{{subst:Upload marker added by en.wp UW}} {{Information |Description = {{en|A section of Suprematist works by Kazimir Malevich exhibited for the first time at the 0.10 exhibition.}} |Source = '''Original publication''': 1915<br/> '''Immediate source'''...

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