Fayl:Johannes Vermeer - A Lady Writing - Google Art Project.jpg

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Vermer Delftlik Yan: A Lady Writing a Letter  wikidata:Q914984 reasonator:Q914984
Artist
Vermer Delftlik Yan  (1632–1675)  wikidata:Q41264 q:en:Johannes Vermeer
 
Vermer Delftlik Yan
Alternative names
Johannes van der Meer, Jan Vermeer, Jan Vermeer van Delft, Johannes Reyniersz. Vermeer
Description Dutch painter va art dealer
Date of birth/death October 1632 15 December 1675 (buried)
Location of birth/death Delft Edit this at Wikidata Delft Edit this at Wikidata
Work period 1653–1675
Work location
Delft (1653–1675) Edit this at Wikidata
Hokimiyat nazorati
artist QS:P170,Q41264

Details on Google Art Project
image of artwork listed in title parameter on this page
Title
inglizcha:
A Lady Writing
title QS:P1476,en:"A Lady Writing"
label QS:Len,"A Lady Writing"
Object type rasm
object_type QS:P31,Q3305213
Janr Maishiy janr Edit this at Wikidata
Sanasi circa 1665
date QS:P571,+1665-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions balandligi/bo'yi: 450 mm; width: 399 mm
dimensions QS:P2048,450U174789
dimensions QS:P2049,399U174789
institution QS:P195,Q214867
Accession number
1962.10.1
Object history

Possibly Pieter Claesz van Ruijven [1624 1674], Delft; possibly by inheritance to his wife, Maria de Knuijt [d. 1681]; possibly by inheritance to her daughter, Magdalena van Ruijven [1655 1682], Delft; possibly by inheritance to her husband, Jacobus Abrahamsz. Dissius [1653 1695], Delft;[1] (sale, Amsterdam, 16 May 1696, no. 35).[2] J. van Buren, The Hague; (his sale, Bernardus Scheurleer, The Hague, 7 12 November 1808, 6th day [12 Nov.], no. 22 of the paintings). Dr. Cornelis Jan Luchtmans [1777 1860], Rotterdam; (his sale, by Mierop, Muys van Leen, and Lamme, Rotterdam, 20 and 22 April 1816, no. 90); F. Kamermans, Rotterdam; (his sale, Lamme, Rotterdam, 3 October 1825, no. 70); Lelie.[3] probably Hendrik Reydon; (sale, by J. de Vries, A. brondgeest, E.M. Engelberts, and C.F. Roos, Amsterdam, 5 6 April 1827, no. 26); François Xavier, comte de Robiano [1778 1836], Brussels; (his estate sale, Barbé, Brussels, 1 May 1837 and days following, no. 436); purchased by Héris for François Xavier's son. Ludovic, comte de Robiano [1807 1887], Brussels; by inheritance to Ludovic's heirs, possibly his daughter and only child, Jeanne [1835 1900] and her husband, Gustave, baron de Senzeilles de Soumagne [1824 1906], until 1906;[4] (J. & A. LeRoy, Brussels); purchased 1907 by J. Pierpont Morgan [1837 1913], New York; by inheritance to his son, J. P. Morgan, Jr. [1867 1943], New York; consigned 1935 1939 to, and purchased 1940 by (M. Knoedler & Co., New York); sold 1940 to Sir Harry Oakes [1874 1943], Nassau, Bahamas; by gift or inheritance to his wife, Lady Eunice Myrtle McIntyre Oakes [c. 1894 1981], Nassau, Bahamas; consigned 1946 to (M. Knoedler & Co., New York);[5] sold 1946 to Horace Havemeyer [1886 1956], New York; by inheritance to his sons, Harry Waldron Havemeyer [b. 1929], New York, and Horace Havemeyer, Jr. [1914 1990], New York; gift 1962 to NGA.

[1] The 1683 inventory of goods accruing to Jacob Dissius after the death of his wife Magdalena van Ruyven lists twenty paintings by Vermeer. For the complete transactions between her husband Jacob Dissius and his father Abraham Dissius following her death, see John Michael Montias, Vermeer and His Milieu: A Web of Social History, Princeton, 1989, 246 257, 359 361, docs. 417, 420.

[2] For this sale see Montias 1989, 363 364, doc. 439.

[3] This name is recorded in an annotated copy of the sale catalogue in the NGA Library.

[4] This is suggested by the Getty Provenance Index© Databases, Public Collections, record 17464.

[5] The Knoedler’s consignment numbers were CA 1503 (from Morgan) and CA 2758 (from Lady Oakes), per the Getty Provenance Index© Databases, Public Collections, record 17464.
Exhibition history
Notes More info at museum site
References
Source/Photographer eAG0Jvulh617uw at Google Cultural Institute maximum zoom level

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1675, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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